Research Article

The Metamorphosis of Mazu Belief and the Reconstruction of Mazu Temples

Fangzhou YuChina Academy of Art*

* Corresponding author: [email protected]

Abstract

Mazu, also known as Tianhou/Tianfei is the most prosperous belief in Chinese Mainland and in the shipping developed areas like Hong Kong, Macao, Taiwan, and overseas Chinese immigrants’ communities. It forms a unique belief system with goddess worship as its core, and form a religious culture integrating marine culture. This article focuses on the main carrier of Mazu belief, Mazu Temples, and attempts to sort out its architectural evolution strategies in the development of history. This article briefly analyzes the similarities and differences in the forms of Mazu temples in their birthplace and overseas regions. And a systematic summary is proposed, that is, Mazu Temple is not only a religious building and a sacred space experience. But more importantly, it act as a cultural and spiritual symbol, playing a different role in the dissemination of Mazu culture at home and abroad for communication purposes.In previous studies on Mazu culture and beliefs, the vast majority of researchers only focused on the changes in Mazu beliefs themselves, including the evolution of artistic sculptures, paintings, ritual offerings, and their political significance. But few people pay attention to Mazu Temple, or in other words, Mazu Temple, as an important material carrier of Mazu belief, has always been regarded by believers as a simple religious place and used by scholars as a way to study the development of Mazu belief, while its importance in architecture has been ignored.

Keywords: Mazu belief; religion architectures; religion evolution; cultural integration; space
Published: December 26, 2024
DOI: 10.54254/2753-7064/2024.18753
Volume: CHR Vol.48
pp. 84-90
Download PDF

References

  1. Zhang, Y., Wu, C., & Liu, X. (2023). The Development and Modern Transformation of Material Culture in the Worship of Mazu. Religions, 14(7), 826. https://doi.org/10.3390/rel14070826
  2. Verkaaik, O. (2013). Religious Architecture: Anthropological Perspectives. In O. Verkaaik (Ed.), Religious Architecture: Anthropological Perspectives (pp.7–24). Amsterdam University Press. http://www.jstor.org/stable/j.ctt6wp6sx.3
  3. The Imperial Edict Gate and Yimen Square.[Photograph].(n.d.).Retrieved from: https://www.mzmz.org.cn/zmjdjs.html?newsid=2363191&_t=1710661366 (Accessed:25 July 2024)
  4. Ruitenbeek, K. (1999). Mazu, the Patroness of Sailors, in Chinese Pictorial Art. Artibus Asiae, 58(3/4), 281–329. https://doi.org/10.2307/3250021
  5. Irwin, L. (1990). Divinity and Salvation: The Great Goddesses of China. Asian Folklore Studies, 49(1), 53–68. https://doi.org/10.2307/1177949
  6. Wooden Carving Mazu and Maid. [Photograph].(n.d.). Retrieved from: http://www.mazuworld.com/index.php?m=content&c=index&a=Show&catid=55&id=10481 (Accessed:4th August 2024)
  7. White Glazed Guanyin Statue.(n.d.).[Photograph].The Palace Museum, Beijing, China. Retrieved from: https://www.dpm.org.cn/collection/sculpture/233546.html
  8. Zmshao. (2021). The Biggest Mazu Sculpture in Guangdong, China. [Photograph].Retrieved from: https://www.shanwei.gov.cn/swswgltj/gkmlpt/content/0/662/post_662452.html#1088 (Accessed:25 July 2024)
  9. DY, A. C. (2014). The Virgin Mary as Mazu or Guanyin: The Syncretic Nature of Chinese Religion in the Philippines. Philippine Sociological Review, 62, 41–63. http://www.jstor.org/stable/43486492
  10. Zhuang, L., & Liu, K. (2023). Cultural Exchange in the East Asian Seas in Light of the Acceptance of Mazu Beliefs by Japanese Sea Gods. Religions, 14(3), 361. https://doi.org/10.3390/rel14030361
  11. Hokki.(2022). The Mazu Temple.[Photograph] Retrieved from: https://ja.wikipedia.org/wiki/%E5%B4%87%E7%A6%8F%E5%AF%BA_(%E9%95%B7%E5%B4%8E%E5%B8%82) (Accessed:25 July 2024)
  12. Li, Q. (2022). Schematic diagram of Soufukuji.[Image]. Retrieved from: https://www.thepaper.cn/newsDetail_forward_17188695 (Accessed:31 July 2024)