Research Article

Exploring the Development and Breakthrough of Online Variety Shows from the Perspective of Youth Subculture

Zhengyang LiuBeijing Normal University-Hong Kong Baptist University United International College*

* Corresponding author: [email protected]

Abstract

Many program formats are shifting from traditional variety shows to online variety shows as internet technology continues to develop. Online video platforms, led by iQiyi, have focused their content creation on the market for online self-produced variety shows. In many fields, program teams and directors choose youth subculture as the core creative concept of the programs. Different audience groups can find organizations and be entertained within their respective niches. In this thesis, we will take two classic online subculture variety shows, “U Can U BB” and “Street Dance of China”, as examples to explore how the in-depth combination of youth subcultures and online variety shows has aroused attention and threatened mainstream culture. At the same time, mainstream ideology and capital have been incorporated into the subculture market, and the modern audiovisual industry needs to reap stable benefits from the transition. In addition, the research methods of case studies of Chinese internet variety shows and comparative analysis will be utilized, bringing new thoughts and inspiration to media practitioners and content creators.

Keywords: youth subculture; online variety shows; media transition; “U Can U BB”; “Street Dance of China”
Published: January 3, 2024
DOI: 10.54254/2753-7064/24/20231672
Volume: CHR Vol.24
pp. 179-183
Download PDF

References

  1. Williams, J. P. (2007). Youth-Subcultural Studies: Sociological Traditions and Core Concepts. Sociology Compass, 1(2), 572–593. https://doi.org/10.1111/j.1751-9020.2007.00043.x
  2. Hebdige, D. (1979). Subculture : the meaning of style. Methuen. https://doi.org/10.4324/9780203139943
  3. Haenfler, R. (2014). Subcultures: The basics. Routledge.
  4. Zhu Fei. (2017). An analysis of the youth subculture of the online variety show "Qiba". Western Radio and Television, 9, 108-109.
  5. Li, Mengfan. (2021). A study on the development of online variety programmes from the perspective of youth subculture. In Audiovisual (Number 8, pp. 40-41). School of Journalism and Communication, Henan University. https://doi.org/10.3969/j.issn.1674-246X.2021.08.017
  6. Yao, Junqian. (2020). Exploration of music online variety programme under the perspective of youth subculture. Western Radio and Television, 13, 5-6.
  7. Wang Yutong. (2020). Research on the relationship between youth subculture and mainstream culture in network variety art (Master's thesis, Yunnan University). https://kns.cnki.net/KCMS/detail/detail.aspx?dbname=CMFD202202&filename=1020766113.nh
  8. BENNETT, A. (1999). Subcultures or Neo‐tribes? rethinking the relationship between youth, style and musical taste. Sociology, 33(3), 599–617. https://doi.org/10.1017/s0038038599000371
  9. Yen, Wei-Ying. (2020). Resistance and Adoption: A Study on the New Relationship between Youth Subculture and Main Culture in Media Representation (Master's thesis, Huazhong University of Science and Technology). https://kns.cnki.net/KCMS/detail/detail.aspx?dbname=CMFD202301&filename=1020352785.nh
  10. Bourdieu, P. (1986). the forms of capital. in: Richardson, J., handbook of theory and research for the sociology of Education. Westport, CT: Greenwood: 241–58. Social Capital Gateway. (2016, October 18). https://www.socialcapitalgateway.org/content/paper/bourdieu-p-1986-forms-capital-richardson-j-handbook-theory-and-research-sociology-educ
  11. Reckwitz, A., & Pakis, V. A. (2020). The Society of Singularities. Polity.