Communications in Humanities Research ISSN: 2753-7072
Home> Volumes> Volume CHR Vol.23> Article
Research Article

A Comparative Study of Female Images Between Traditional Drama and Modern Drama—Taking Two for the Road and Dou E Yuan as Examples

Jialian HuLingnan University*

* Corresponding author: [email protected]

Abstract

As a mature work of ancient Chinese tragedy, Dou E Yuan not only accuses the cruel reality of disregard for human life, but also has a great influence on later literature and drama. Up to now, it has also appeared as a classic in stage performances, teaching books, etc. Many dramas are deeply inspired by its artistry, theme and realism. The "red literary works" with the same goal as "two for the road" also need a strong political propaganda means to publicize revolutionary thoughts by means of this art form. From the perspective of female images in Dou E Yuan and Two for the Road, this paper comprehensively analyzes the embodiment of female personality characteristics, values and artistic techniques in the two dramas, and compares and investigates the characteristics, situations and changes of gender consciousness of female images in the two dramas.

Keywords: Tian Han; "two for the road"; Guan Hanqing; Dou E Yuan
Published: December 20, 2023
DOI: 10.54254/2753-7064/23/20230602
Volume: CHR Vol.23
pp. 59-65
Download PDF

References

  1. Liang Jie. Viewing the characteristics of Chinese classical tragedy from Dou E Yuan [J]. Appreciation of Famous Works, 2014, No.467(15): 141-142.
  2. Song Min. A comparative study of female images in Hamlet and Dou E Yuan [J]. Journal of Inner Mongolia University (Humanities and Social Sciences Edition), 2005 (06): 27-31. DOI: 10.13484/J.cnki.ndxbzsb.2005. 06.006.
  3. Li Xianglin. Gender perspective analysis of Dou E Yuan [J]. Journal of Southeast University (Philosophy and Social Sciences Edition), 2004 (06): 109-112 +116-127. DOI: 10.13916/J.cnki.issn1671-511x. 2004.06.023.
  4. Yu Liya. Interpreting the female group images of the drama Two for the Road [J]. Grand Stage, 2011, No.279 (08): 26-27.
  5. Chen Weihua. Thoughts on Constructing New Female Images in Modern Chinese Films--Taking Three Modern Women, New Women and Two for the Road as Examples [J]. Journal of Shanghai Normal University (Philosophy and Social Sciences Edition), 2014, 43 (05): 101-108. DOI: 10.13852/J.CNKI.JSHNU.2014. 05.013.
  6. Wang Zhujie. "Sexualized" Revolution and "Revolutionary" Sex--The Evolution of Literary Sex Narration from "Left-wing Literature" to "Seventeen Years" [J]. Shandong Social Sciences, 2009 (11): 48-53. DOI: 10.14112/j.cnki.37-1053/c.2009.
  7. Wang Xiaoling. Female images in "Seventeen Years" revolutionary historical novels [D]. Northeast Normal University, 2007.
  8. Zhang Yongzhong. Female images in Tian Han's early drama creation [J]. Literature Education (middle), 2014, No.284 (03): 93-94.
  9. Liu Wanming. Modern "Sex" of Revolution-Erotic Theme in Left-wing Literary Theory around 1930 [J]. Journal of Sun Yat-sen University (Social Science Edition), 2010, 50 (01): 51-57.
  10. Shi Yingxin. Analysis of the relationship between Dou E's "three wishes" and his character [J]. Journal of Inner Mongolia University for Nationalities, 2012, 18 (01): 9-10.
  11. Sebrina. Analysis of female images and causes in Tian Han's dramas in the 1920s [J]. Chinese Journal, 2007, No.239 (21): 90-92.