Communications in Humanities Research ISSN: 2753-7072
Home> Volumes> Volume CHR Vol.23> Article
Research Article

Feminism “Up on Stage”？ — A Discussion on the Deformation of Female Images in Chinese Film and TV Works

Shiyin ZhangZhongnan University of Economics and Law*

* Corresponding author: [email protected]

Abstract

Taking Chinese film and TV works as the research subject, this paper attempts to analyze the development of feminism and the deformation of the female image shaped by film and TV works, summarize and reflect on the motives as well as the results of these works. We deploy a case-study methodology to scrutinize the evolution of feminism and the prevailing trend of distorted female portrayals in film and TV. It identifies three primary modes of distortion in the depiction of women in three mediums. This paper also aims to advocate that film and TV works should reasonably shape female image, veritably reflect the voice of females and convey feminism, and positively promote the development of feminism in China. At the same time, we advocate that filmmakers ought to fathom the true essence of feminism, genuinely reflecting the authentic voices and demands of women. We also hope that this paper will have a deeper significance for the subsequent research.

Keywords: feminism; film and TV programs; female image; malformation
Published: December 20, 2023
DOI: 10.54254/2753-7064/23/20230044
Volume: CHR Vol.23
pp. 1-6
Download PDF

References

  1. Zhao Yunze. Structural reasons for the decline of traditional media [J]. Journalist, 2014 (11): 17-21
  2. Gong Chen. On the Three Expressive States of Feminism in Asian Film and Television Works [J]. Western Broadcasting and Television, 2018 (17): 137-138
  3. Pan Ping. Logical Analysis of the Development Wave of Western Feminism [J]. Hunan Social Sciences, 2016 (04): 46-50
  4. Duan Xiaoyi. Female Consciousness in Western Feminine Theme Film and Television Works [J]. Youth Literature, 2019 (18): 130-131
  5. Angela Xiao Wu;; Yige Dong What is made in China feminism (s)? Gender content and class friction in post social list China [J]. Critical Asian Studies, 2019,51 (4): 471-492
  6. Angela Xiao Wu;; Yige Dong What is made in China feminism (s)? Gender content and class friction in post social list China [J]. Critical Asian Studies, 2019,51 (4): 471-492
  7. Chen Li. Interpretation of Female Consciousness in the Image of “Big Female Lead” in Domestic Drama [D]. Hunan University of Science and Technology: 2021. DOI: 10.27738
  8. Angela Xiao Wu;; Yige Dong. What is made in China feminism (s)Gender content and class friction in post social list China [J]. Critical Asian Studies, 2019,51 (4): 471-492