The Conception of “True Art” and “Intention” -- An Analysis of the Meaning of “True” in “Records of Famous Paintings Throughout the Ages”
Abstract
“Records of Famous Paintings Throughout the Ages” is a significant theoretical work in classical Chinese aesthetics, spawning numerous enduring propositions for later generations. The concept of “true art” proposed by Zhang Yanyuan runs through the development of Chinese artistic spirit. Many scholars have interpreted it from the perspective of creative practice. This paper attempts to discuss the meaning of “true” from the standpoint of a dedicated and focused creative state, the Zhuangzi’s thoughts on the unity of intention and the Dao, and the relationship with the style of brushwork characterized by density and sparseness. The “true” in “true art” connects the artistic creative activity in the realm of the real world, the freedom in the abstract spiritual dimension, and the “Dao” that gives birth to all things as the essence of the universe. Its significance lies in revealing the ever-flowing sense of life in painting from the confines of limited creative practice. This study aims to provide a deeper understanding of the historical evolution of the meaning of “true art” and the essence of Chinese artistic spirit.
References
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