Analysis of the Development and Direction of Contemporary Exhibitions
Abstract
With the advancement of civilization and the passage of time, art has steadily merged into everyday life. The quantity and variety of art exhibitions held have significantly expanded, becoming a daily activity for the majority of the public as the social process and the pace of people’s lives continue to quicken. The public is given a strong sense of connection to the art institution and the exhibition space as a result of the modern exhibition’s progressive evolution and subsequent innovation and improvement. This paper looks at the potential and direction of contemporary art exhibitions, analyzes the shortcomings of contemporary art exhibitions, and looks at the current situation and development prospects of contemporary art exhibitions as well as the background of academic research at home and abroad. It examines and provides examples from four perspectives, including participatory exhibition, interactive art, and high technology, Nicholas Berriod’s relational aesthetic theory, and online exhibition. It also examines and thinks from the perspective of traditional Chinese context theory, reflecting various methods of presenting contemporary exhibitions and new ideas in the hopes of assisting artists and curators.
References
- From Viewing to Experience:the Evolution of Chinese Contemporary Art Exhibition since 1990 and Its Curatorial Thinking - CNKI. (n.d.).
- Qiu Aiyan. (2016). Contemporary art exhibition viewing mode and design research - CNKI.(n.d.).Kns.cnki.net.https://kns.cnki.net/KCMS/detail/detail.aspx?dbcode=CDFD&dbname=CDFD2020&filename=1016082182.nh
- Zheng Jiaru. (2020). From Viewing to Experience:the Evolution of Chinese Contemporary Art Exhibition since 1990 and Its Curatorial Thinking - CNKI. (n.d.). Kns.cnki.net. https://kns.cnki.net/KCMS/detail/detail.aspx?dbcode=CMFD&dbname=CMFD2021&filename=1021562902.nh
- Nina Simone, Participatory Museums: Into the Era of Museum 2.0[m],Zhejiang:Zhejiang University Press,2018: 4.
- Li Jingyi, Xu Weimin. (2022). The applicability analysis of four participation modes of “Participatory Museum” in the practice of museum curation in our country. Southeast Culture (06),126-132.
- Wangtian, Li Changju. (2013). The application and significance of interactive art in contemporary exhibition. Art Education (04),170.
- Zheng Xiaopeng.(2021). The charm of curation: the concept of contemporary art intervenes in social public space-CNKI.(n.d.).Kns.cnki.net.https://kns.cnki.net/detail.aspx?https://kns.cnki.net/KCMS/detail/detail.aspx?dbcode=CMFD&dbname=CMFD2022&filename=1021794130.nh
- Zhang Luodan. (2021) On the Development Trend of History Museum from “Cloud Exhibition” - CNKI. (n.d.). Kns.cnki.net. https://kns.cnki.net/KCMS/detail/detail.aspx?dbcode=CMFD&dbname=CMFD2022&filename=1021781539.nh
- Wang Fangliang, Li Liquan. (2016). Research on the application of traditional aesthetic conception theory in modern product design Journal of Southeast University (Philosophy and Social Sciences Edition), 18(03),120-125+148.
- Liu Liwei, (2013). On the Philosophical Thinking of Packaging visual Communication Design. Packaging Journal, (1),92-96.
- Kou Jimei, (2020). Visual characteristics of the integration of art and technology in new media design. Hunan packaging, 35(6):89-92.
- Sun Yuanzhi, Li Jiaqian, Zhou Jiayi,C.N.(2021) The Enlightenment of Chinese traditional “artistic conception” theory to the fusion of art and science and technology. Hunan Packaging (06),18-20.