Research Article

From Traditional to Digital: An Analysis of New Media Documentary and Its Effects on Domestic Communication in China

Jianan DuUniversity for the Creative Arts*

* Corresponding author: [email protected]

Abstract

In response to the burgeoning Chinese Internet and mobile Internet landscape, new media has consistently undergone rapid evolution, subsequently ushering in a novel era for Chinese documentary filmmaking. As the documentary genre coalesces with new media, the emergent works, specifically designed for audiences in the digital age, are termed ‘new media documentaries’. These productions distinguish themselves from conventional documentaries in several ways, including investment and production by Internet companies, utilisation of innovative broadcasting techniques, and adoption of unconventional narrative structures. Moreover, new media documentaries strive to expand their business models and audience reach, as well as actively promote Chinese culture and values domestically. In this article, we examine and deliberate the influence of Chinese new media documentaries on the nation’s cultural landscape.

Keywords: new media documentary; Chinese culture; spread internally
Published: October 31, 2023
DOI: 10.54254/2753-7064/9/20231096
Volume: CHR Vol.9
pp. 35-43
Download PDF

References

  1. Rice, A. (2023). Documentary’s expanded fields: new media and the twenty-first-century documentary. Studies in Documentary Film, 17(1), 93-95.
  2. Kim, N., & Kim, S. (2014). Interactive Documentary on Perspective of New Media. International Journal of Multimedia and Ubiquitous Engineering, 9(12), 117-128.
  3. Watson, R. (2022). Documentary’s expanded fields: new media and the twenty-first-century documentary. New Review of Film and Television Studies, 20(4), 595-598.
  4. Kapur, A., & Ansari, N. S. (2022). Coding reality: implications of AI for documentary media. Studies in Documentary Film, 16(2), 174-185.
  5. Hondros, J. (2021). Interactive documentary as relational media: exploring an actor-network theory approach. Studies in Documentary Film, 15(3), 256-270.
  6. Huang, X., & Chang, Y. C. (2023). Critical Thinking Instruction Incorporated in Cross-Cultural Communication Course Design: A Needs Analysis Report Based on Voices of Chinese International College Undergraduates. Journal of Education and Learning, 12(1), 40-40.
  7. Dai, Y., & Cheng, X. (2022). Global communication of Chinese culture in the digital era: internal motivation and external challenges. International Communication of Chinese Culture, 9(34), 127-137.
  8. He, Y., & Xiao, L. (2021). Being Chinese in Lived Intercultural Experiences: A Discourse Analysis of Chinese Undergraduates’ Perceptions of Chinese Culture. Chinese Journal of Applied Linguistics, 44(2), 219-240.
  9. Zhang, T. (2022). Cultural mission and international communication of Chinese documentaries. International Communication of Chinese Culture, 9(12), 23-30.
  10. Nye, J. S. (2004). Soft power: The means to success in world politics. New York: Public Affairs.