Research Article

Gaze and Dialogue: An Imagological Study of Transcultural Travel Narratives of Xinjiang—From Sven Hedin to Shen Wei's Dual Writings

Yurun TianXinjiang University of the Arts*

* Corresponding author: [email protected]

Abstract

Transcultural travel narrative is an important practice for constructing regional images and promoting dialogue among civilizations. From the perspective of transcultural imagology, this paper compares the narratives of Xinjiang in Swedish explorer Sven Hedin's Travels in the Heart of Asia and Zhejiang poet Shen Wei's Notes on the Western Regions. Hedin gazes at Xinjiang as an explorer and geographer, and solidifies Xinjiang as an object to be observed within the framework of subject-object dualism. Shen Wei, relying on his settlement experience and "deterritorialized regional writing", moves towards dialogic narrative, making Xinjiang a cultural subject that can communicate equally with the outside world. The comparison between the two modes reveals the shift of travel writing from "gaze" to "dialogue", and provides ideological resources for constructing transcultural narratives of Xinjiang and China's image.

Keywords: Transcultural narrative; Xinjiang image; travel writing; gaze; dialogism
Published: July 6, 2026
DOI: 10.54254/2753-7064/2026.35100
Volume: CHR Vol.116
pp. 53-60
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