A Comparative Study of Female Narratives in Dogville and Prima Facie from the Perspective of Theatricalization

Abstract

Female narratives in films reflect filmmakers' in-depth exploration and critical reflection on women's living dilemmas, spiritual pursuits, social roles, and their marginalized status within the context of patriarchy. As representative works of theatricalized films spanning over the past two decades, Dogville (2003) and Prima Facie (2024) both adopt highly stylized dramatic structures, stage-like scene designs, and concentrated dramatic conflicts. While sharing similar experimental traits, the two films differ in narrative focus. Grounded in a shared rebellious core, they have each developed a distinctive and innovative cinematic style in female narration. The former reveals the evil of human nature and the dual oppression of women by patriarchy through an allegorical town, while the latter exposes pervasive gender injustice within legal discourse via a singular personal story. Employing diverse approaches and perspectives to construct female narrative, the two films establish unique visual languages and narrative strategies, combining storytelling quality, avant-garde spirit, and artistic merit.