Exploring Pathways of Emotional Commodification: Media Production and Symbolic Consumption in Jubensha Mystery Experiences
Abstract
Against the backdrop of the experience economy and the rise of emotional consumption, Jubensha (particularly those centered on emotional narratives) have emerged as a quintessential phenomenon of "paying for emotions". Drawing on media theory, emotional labor theory, and consumer society theory, this paper constructs a framework for the emotional commodification industrial chain by using the examples of Eternal Glory (LiuFang in Chinese) and The Seven-Thousand-Mile Homecoming (Gui Tu Qi Wan Li in Chinese). The study systematically elucidates the entire process of emotional commodification in Jubensha, spanning script design, production, venue operations, and symbolic consumption. Findings reveal that emotions are systematically commodified within the Jubensha industry, forming an efficient production and consumption chain. The study further highlights the risks of homogenization, instrumentalization, and diminished authenticity in existing works. This research offers new perspectives on the experience economy and emotional mediation in the digital age.
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