Zhang Xu's Canonization Research
Abstract
This research centers on Zhang Xu, a calligrapher from China’s Tang Dynasty, and takes a systematic approach to exploring how his calligraphic art became canonized—starting in the Tang era and continuing through later times.The study puts forward a core view: Zhang Xu’s status as a classic isn’t something fixed. Instead, it comes from the dynamic interaction of three key factors. First is his own remarkable artistic skills—these laid the groundwork for his legacy. Second is the cultural environment of the Tang Dynasty, which gave his art the space to shine. Third is the way later periods kept reinterpreting his works, adding new meanings to them over time.His well-known “Wild Cursive” script stands out for two reasons. It didn’t just push beyond the usual limits of calligraphic form; it also captured the spiritual ideals that literati wanted to express. What’s more, the process of Zhang Xu becoming a recognized master reveals important patterns. These patterns help us see how art is passed down and how cultural value is judged in the long history of Chinese calligraphy.
References
- Xiong Bingming. The Theoretical System of Chinese Calligraphy [M].Beijing: People's Fine Arts Publishing House, 1994.
- Old Book of Tang, Wenyuan Biography [M].Beijing: Zhonghua Book Company, 1975.
- New Book of Tang, Art and Literature [M].Beijing: Zhonghua Book Company, 1975.
- Zhang Huaijuan. Shu Duan [M].Beijing: People's Fine Arts Publishing House, 1984.
- Su Shi. Inscriptions on Dongpo [M].Beijing: Zhonghua Book Company, 1985.
- Huang Tingjian. Inscriptions on Shangu [M].Beijing: Zhonghua Book Company, 1985.
- Mi Fu. Famous Sayings of Haiyue [M].Beijing: People's Fine Arts Publishing House, 1984.
- Liu Xizai. Art Overview·Calligraphy Overview [M].Shanghai: Shanghai Ancient Books Publishing House, 1978.