Research Article

The Transformation of the Female Lead Image in Qing Dynasty Palace TV Dramas and the Changes in Social Trends

Qicong ChenEast China Normal University*

* Corresponding author: [email protected]

Abstract

This research examines the evolution of female protagonists in Qing palace dramas, utilizing My Fair Princess, Empresses in the Palace, and Story of Yanxi Palace as case studies, to explore how their transforming archetypes reflect broader societal shifts. Through textual and case analysis, the study identifies a clear trajectory from Xiao Yanzi’s archetype of the Innocent Rebel, whose instinctual defiance resonated with the post-reform era’s optimism and yearning for individuality, to Zhen Huan’s archetype of the Tragic Strategist, whose calculated adaptation and moral compromise mirrored early 21st-century anxieties about hyper-competition and institutional power. Finally, the archetype culminates in Wei Yingluo’s Proactive Conqueror, whose efficient, assertive agency and mastery of the system align with the digital age's "shuang" culture and a modern, competence-based model of female empowerment. This progression from challenging rules to mastering and redefining them demonstrates how these popular narratives function as a cultural barometer, chronicling the evolving psyche, gender norms, and social consciousness of Chinese society over two decades.

Keywords: Palace TV drama; Female image; Social thoughts
Published: December 4, 2025
DOI: 10.54254/2753-7064/2025.HT30276
Volume: CHR Vol.100
pp. 131-136
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