The “China Theme” in Japanese Literature: Inoue Yasushi's Novels and Japan's Post-war Journey from Guilt to Disorientation

Abstract

"The China Theme" is an indispensable key. Through it, the postwar development of Japanese letters could be comprehended. Shifts within the "China Theme" are the most significant view. Here, the psychological course of Chinese identity crises of Japan is pursued. This covers over four decades, spanning the postwar years until the close of the 20th century. World War II was shared trauma. It brought gigantic holes culturally and existentially. These compel Japan to consider how it stood towards culture and history, particularly where China was involved. Prior to the war, China appeared haughtily in prewar Japanese letters. This was according to the lines of imperialism. However, subsequent to the war, much of this shifted. According to the writer, the most significant evidence of this shift are the historical epics by Yasushi Inoue on the China theme. These reveal the shift. Initially, attention centered on the "China Theme". Afterwards, concern was geared towards Japan's own future. Based on Inoue's works, the initial influx of works comprised the mission. Cultural longing and salvation were the desires. The defeat of Japan brought along the war crimes and agony. This brought forth increased contemplation on the nation's body and soul. Afterwards, the rapid growth of Japan saw the emergence of the void culturally. Society became centered on the current time. Turbulence and existence became matters of contemplation. Viewing this through the lens of the wider postwar letters tendencies, this reveals shifts within the "China Theme". Initially, it revealed the outlook that transcended the imperialism mentality. Afterwards, it became the reflective gaze upon Japan's internal conflicts. It included constructing the new cultural identity within the uncertain time.