Research Article

Exploring the Feasibility of Applying the Yangqin in Chinese Pentatonic Music Therapy: A Case Study of The Lament of Zhaojun

Jingyi ChenChina Conservatory of Music*

* Corresponding author: [email protected]

Abstract

The five-tone therapy in traditional Chinese medicine is a common application in music therapy, but current academic research mainly emphasizes the passive performance of existing pieces, often in forms such as band collaborations or guqin versions. There is a lack of exploration of flexible improvisation, ensemble cooperation, and diverse musical styles, especially study in yangqin solo music in therapy. With the development of music therapy, traditional Chinese pentatonic music has draw increasing attention, and the repertoire used in therapy is mostly performed with traditional instruments. As a traditional Chinese national instrument, the yangqin, renowned for its rich techniques and distinct regional styles, can play different traditional pentatonic sounds, which are indispensable in music therapy. The Lament of Zhaojun, a representative work of Guangdong music, has had a profound influence. And the yangqin, as an indispensable instrument of Guangdong music, also plays an important role. This paper takes The Lament of Zhaojun as an example to analyze the therapeutic effects of the yangqin version of traditional Chinese music. By using qualitative analysis, musical form analysis and performance analysis, this study seeks to explore the positive mobilization and good therapeutic effects of the yangqin in the five Elements music therapy on human physiological functions.

Keywords: Music therapy; Yangqin; The Lament of Zhaojun; Traditional Chinese music
Published: October 23, 2025
DOI: 10.54254/2753-7064/2025.BJ28488
Volume: CHR Vol.79
pp. 20-27
Download PDF

References

  1. Li, L.Y., & Xu, X.X. (2023) Research progress on the application of Traditional Chinese Medicine Five-Element Music Therapy in Patients with insomnia. Wisdom Health, 9(19): 105-108. DOI: 10.19335/j.cnki.2096-1219.2023.19.026.
  2. Zou, S., & Liu, M. (2025) Ecological aesthetic concepts in Traditional Chinese Music Therapy. Medicine and Philosophy, 46(12): 58-62.
  3. Liu, Y., & Wang, P. (2024) Discussion on the Treatment of Insomnia Based on the Theory of Five zang Sounds using Chinese Five Elements music. Chinese journal of preclinical medicine of traditional Chinese medicine, 30(02): 209-212. The DOI: 10.19945 / j.carol carroll nki. Issn 1006-3250.2024.02.010.
  4. Wang, F., Liu, D., Meng, C.X., et al. (2025) Research on the advantages of Traditional Chinese five-tone therapy combined with modern electronic music technology in clinical application. Liaoning traditional Chinese medicine journal, 1-8. https: //link.cnki.net/urlid/21.1128.R.20250716.0913.006.
  5. Li, X.Y. (2000) Review of Various Theories on the Origin of the yangqin. The Great Dictionary of Chinese Music: Essays on the Yangqin, 57-59.
  6. Li, L.L. (2016) History and Reflections on the Reform of the Yangqin. The Great Dictionary of Chinese Music·Essays on Yangqin, 291-295.
  7. Xiang, Z.H. (2000) An Overview of Chinese Yangqin Art - Historical Evolution and Tradition of Chinese Yangqin. The Great Dictionary of Chinese Music: Essays on the Yangqin Scroll, 101-103.
  8. Li, L.L. (2016) Conception and Practice of Yangqin Technique Classification. The Great Dictionary of Chinese Music·Essays on Yangqin, 171-178.
  9. Chu, L. (2024) Establishing a Diversified Inheritance and Development Mechanism Based on Folk Autonomy: A Study on the Inheritance and Development of Stringed and bamboo Music Genres in New China. Journal of the Central Conservatory of Music, (04): 129-142. DOI: 10.16504/j.cnki.cn11-1183/j.2024.04.005.
  10. Yang, M.K. (2025) Research on Regional and National Music Cultures from the Perspective of "Two Communities". Journal of the Central Conservatory of Music, (01): 40-54. DOI: 10.16504/j.cnki.cn11-1183/j.2025.01.003.
  11. Zhang, M.J. (2016) Clinical study on the Treatment of heart-kidney Disharmony insomnia with moxibustion at Yongquan combined with guqin music. Guangzhou University of Chinese Medicine.
  12. Pan Bin. (2019) A Study of Ancient Female-themed Guqin Music. Journal of guizhou university (art), 33(5): 88-95. The DOI: 10.15958 / j.carol carroll nki gdxbysb. 2019.05.014.
  13. Wang, J.Y. (2022) Analysis of the works and versions of the Yangqin piece The Lament of Zhaojun. Yellow River, (14): 18-20, DOI: 10.19340 / j.carol carroll nki HHZS. 2022.14.064.
  14. Chen, , W.M. (2015) Analysis of the Playing Techniques and Artistic Features of the Yangqin Piece The Lament of Zhaojun. Xi 'an Conservatory of Music.
  15. Zheng, C.H. (2021) A Comparative version of the Yangqin piece The Lament of Zhaojun. Chinese Artists, (08): 40-42.
  16. Long, Y.M. (2024) A Study on the Erhu Performance of Guangdong Music The Lament of Zhaojun. Guangzhou university. DOI: 10.27040 /, dc nki. Ggzdu. 2024.001691.
  17. Tang, K.X. (1991) Yangqin playing techniques and characteristics of Guangdong Music. The Great Dictionary of Chinese Music: Essays on the Yangqin, 139-150.