The Transformation of Narrative Voice: Female Characterization in Adaptations of Wicked
Abstract
Wicked has undergone a dual adaptation from novel to musical and then from musical to film, vividly demonstrating the influence of the creator's different narrative choices in different media on the shaping of character images and relationships. By studying the differences in narrative perspectives between Maguire's Wicked novel and Zhu Haowei's Wicked film in 2024, one can summarize the differences in the characters of the two female protagonists under different narrative perspectives, as well as the new understanding of female friendship in today's society. The film has adapted the zero-focus narrative of the original novel into an internal-focus narrative with Glinda as the narrator, giving Glinda's "blonde beauty" image a new interpretation space under the authority of the narrator, and also giving Elphaba’s revolutionary image more symbolic meaning. Under the new character image, the female friendship between Elphaba and Glinda, which is an "embellishment" of Elphaba’s life in the novel, becomes an indispensable soulmate in both of their lives, a hidden thread running through the entire film.
References
- Yuan, T.T. (2018) On the Image Creation of the Main Characters in the Musical Wicked. Henan University.
- Zhang, X.Y.(2021) Analysis of the Character Creation of Elphaba, the Heroine in the Musical Wicked. Shanghai Conservatory of Music.
- Li, Y.Y. (2023) The Heterotopic Wonders on the Theatrical Stage: A Review of the Image Creation in the Musical Wicked. China Theatre, (1), 87-88.
- Luo, L. (2017) Wicked: A Broadway-style Stage Spectacle. Contemporary Theatre, (6), 58-59.
- Zhao, Y.L. (2025) The music and dance in Wicked: A deep explanation of emotion. Film Literature, (8), 157-161.
- Zhu, C.F. (2025) Wicked:Cross- Border Integration and Artistic Innovation between the Film and the Musical. Film Literature, (8), 71-75.
- Genette, Gerard. (1990) New Narrative Discourse. Translated by Wang Wenrong. China Social Sciences Press.
- Lanser, S.S. (2002) Fictions of Authority: Women Writers and Narrative Voice. Translated by Huang Bikang. Peking University Press.
- Maguire, G. (2025) Wicked: The Life and Times of the Wicked Witch of the West. Translated by Wan Jie. China Friendship Publishing Corporation.
- Wang, X. (2015) A Feminist Narratological Analysis of "The Ark". Peony, (18), 21-22.
- Wang, J. (2025) "Voice" Narrative and Historical Expression: A Case Study of Mo Yan's Novels. Journal of Tianjin University (Social Sciences), 27(2), 174-181.
- Li, Z. (2013) A Brief Analysis of "Female Rivalry" in Literary Works. Youth Years, (9), 58-59.
- Zhu, P.Y. (2014) A Comparative Study of Film Language and Literary Language. Youth Literati, (8), 6-7.