The Feminist Lens: Analyzing the Impact of Female-Centric Television Narratives
Abstract
The growing prevalence of female-led television dramas has catalyzed a surge in feminist discourse across social media platforms. These narratives resonate with viewers by depicting challenges related to professional environments, marital dynamics, and familial relationships, thereby shaping female viewpoints and amplifying the voices of numerous women. They underscore the notion that freedom is not merely an aspirational ideal but an inherent right essential for pursuing a meaningful existence. This research investigates the contributions of female-led television dramas to the advancement of feminism. Through an analysis of their influence on audiences, the discourse generated on social media, and the platforms they establish for women to articulate their perspectives, the study assesses how these dramas foster feminist ideologies within a global framework. The results indicate that female-led television dramas significantly contribute to the progression of feminist movements.
References
- Li, Y. L. (2020). Structural models and communication research of female-led TV dramas in the new media environment. Journal of Communication Studies, 4(42-43).
- Wang, X. Y. (2008). Feminism in 19th-century British literature. Science & Technology Information (Academic Research), 27, 486.
- Moore, C., & Meng, C. Y. (2008). The triumph of the feminist art movement. World Art, 2, 2-7.
- Jiang, F. (2019). A study on the creative types of Chinese female-led TV dramas (Master’s thesis, Nanning Normal University).
- Eaton, A. W. (2021). Feminist aesthetics. In The Oxford Handbook of Feminist Philosophy. Oxford University Press.
- Zhang, W. J. (2019). A brief discussion on feminism (Master’s thesis, Hubei Academy of Fine Arts).
- Wang, Q. (2022). Aesthetic research on Mary Cassatt’s paintings in the context of the first wave of feminism (Master’s thesis, Sichuan Academy of Fine Arts).
- Cao, J. (2016). The social construction of feminism: Standpoint epistemology and constructivism. Industry and Technology Forum, 9.
- Chi, S. X. (2023). From The First Half of My Life to Brave New World: The evolution of Eileen Chang’s urban female characters. Literary and Art Weekly, 7, 24-27.
- Li, J. Y. (2021). The portrayal and communication of female characters in Chinese “She-themed” TV dramas—A case study of Nothing But Thirty. Media and Culture Studies, 13-15.
- Xu, J. X. (2020). The transformation and reflection of female qualities in female-led TV dramas. Journal of Film & Television Studies, 15-17.