Interdisciplinary Approaches in Art Management—Concert Planning Meets Sound Art Curation: Insights from the Beethoven and Chopin Immersive Interactive Concert and the Soundscapes of China Exhibition
Abstract
Based on the development process of art management in China and the West, this study deconstructs and reconstructs the four elements of sound art curation, visual art, and concert planning and adopts the two-case analysis method to discuss the ideas of sound art curation and concert planning from the perspective of music art management. The research selects two representative art projects, namely, sound art and curation visual art and concert planning, respectively. Through two cases of sound art curation and music art management and planning, the key elements in the integration of sound art curation and cross-border art concert planning are systematically analyzed, including the analysis of the audience of artistic ideas and the selection of artistic works. The research topic of cross-boundary Chinese and Western art management curating and concert planning, such as the analysis of audience interaction mechanisms and technology application, provides a theoretical basis for the practice of music art management and has a certain development space in the research field of art exhibition and concert planning.
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