Research Article

The Reconstruction of Female Images in the TV Drama The Story of Rose and Its Social Significance

Wen QiHebei Normal University*

* Corresponding author: [email protected]

Abstract

In contemporary society, the portrayal of female image holds an increasingly significant role in cultural products. As a major entertainment medium, TV dramas reflect social values while subtly shaping viewers’ perceptions of gender and identity. With the increasing emphasis on gender equality in society, the re-imagining of women’s identities in the new era has become particularly critical. As a prominent television drama, The Story of Rose presents a spectrum of female images, capturing the nuances of women’s experiences across different social contexts and cultural frameworks. Through the theoretical framework of communication studies, the study analyzes the construction of multiple female characters and their interrelationships in The Story of Rose. These characters showcase a rich and diverse array of female experiences, reflecting gender performance within specific historical and social contexts. Using textual analysis, this study deconstructs the character traits and behavioral motivations of the female characters, as well as their interactions with the male characters in the drama. Meanwhile, the audience’s acceptance and identification with these female characters are explored, thus revealing how the drama shapes the audience’s gender perceptions and its potential impact. The results indicate that the female characters in The Story of Rose reflect the evolving characteristics of the times, and address the contemporary audience’s expectations and needs for female reconstruction. Their performance in different contexts highlights the multiple identities and challenges that people face in the workplace and in society.

Keywords: Female Images; TV Drama The Story of Rose; Media Studies; Agenda-Setting; Uses and Gratifications Theory
Published: December 26, 2024
DOI: 10.54254/2753-7064/2024.18989
Volume: CHR Vol.64
pp. 56-62
Download PDF

References

  1. Di, X.R. (2024) The Theoretical Turn and Development Countermeasures of Agenda Setting in the New Media Era. Media Today, 32(07): 32-35.
  2. Zhang, N. (2024) Plot Innovative Adaptation, Character Spirit Expansion and Emotional Value Transmission - An Example of Adaptation of TV Series The Story of Rose. Contemporary Television, 09:56-61.
  3. Niu, J.Y. (2024) A Study on the Communication Content and Audience Interpretation of Domestic “Her Drama Series” under the Perspective of Feminism--Taking “The Story of Rose” as an Example. Writers’ World, 16: 137-139.
  4. Shen, M., et al. (2024) The rise in female consciousness contributes to advancing household energy transition: Evidence from Chinese households. Energy, 308132954-132954.
  5. Rao, L.X., et al. (2023) Return to the essence of power - A brief analysis of the dislocation of female consciousness from the perspective of “She economy”. SHS Web of Conferences, 159.
  6. Xue, L. (2024) Maternal Role Readiness and Maternal-Infant Bonding among Postpartum Women-In Selected Provincial Hospitals in Fujian Province, China[J].International Journal of Frontiers in Medicine, 6(7).
  7. Phillips, M.K. (2024) The feminization of freedom: an analysis of love, happiness and freedom from the perspective of childfree, never-married single women of colour. Journal of Social and Personal Relationships, 41(12): 3573-3592.
  8. Jia, J. (2017) The Flux of Female Body Aesthetics in Contemporary Literature from the Perspective of Symbolic Narratology. Contemporary Literature Forum, 05: 57-61.
  9. Xu J ,Ma W.Study on the Female Consciousness Based on Eileen Chang's Works[J]. 2023,6(4).
  10. Yan, Y.J. and Luo, Y. (2024) On the Awakening and Development of Manzhen's Feminist Consciousness in Ding Ling’s Novel Mother. Imago Literature Creation, 43: 12-14.
  11. Hu, X. (2024) Female Image and Gender Discourse in Drama, Film and Television Literature. Research and Commentary on Humanities and Arts, 2(6).